Laven: A Pirate Language

Draft 10: More vocabulary.

Draft 9: Added vocabulary and sample sentences. Added spoken forms to the lexicon. Added sound changes to the spoken language. Added note about puns. Changed conworld details.

Draft 8: Renamed archipelago. Edited descriptions. Added vocabulary. Noted irregularities. Regularized glottal finals. Removed evidentials. This language started as a dialect of Toukanta, but inexactness feels more piratey. Arrr!

Lhawën “the Laven tongue” is the polite speech of the Saltwashed, the sea-rovers of the drowned archipelago Lhaxwëmtaq (Spoken: Lhawento), where the only roads are currents and the only border is the wind. The deixis is based on the mental geography of the Saltwashed. Possession classes show their morality.

Commoners speak Lhawen, the spoken form. This grammar describes the polite speech, Lhawën, as it survives on bronze plates and in the conservative quarterdeck register. For the daughter, see The spoken language below.

Flooded as it is, Lhaxwëmtaq is still the most developed part of the civilized world. It is surrounded by the seven seas, barbarous waters where adventurers search for lost wonders.

Glossing conventions

Abbreviations used in the interlinear examples throughout: TOP topic · AGT non-topic agent/genitive · LOC locative · GOAL allative/purpose · AV/PV/LV/CV actor/plunder/locus/conveyance voice · BEG begun (realis) · NB not-begun (irrealis) · PROG progressive · HARD hardened stem (“in hand”) · WEAK weakened stem (“in chase”) · VEN ventive (hither) · ITV itive (thither) · SWD seaward · LWD landward/havenward · WWD windward · LEE leeward · RET returnative · HU hull-up · HD hull-down · OH over-horizon · INCL/EXCL clusivity · CREW crew-inclusive · DEF deferential · POSS possessor enclitic · PLUN plunder class · EARN earned class · PERS personal article · LK linker · Q polar question · IMP imperative · QD quarterdeck register.

1. Phonology

1.1 Consonants

Lhawën has a large inventory. Every plosive and affricate has a plain and an ejective partner; the dorsal region splits into plain, labialized and uvular series; and the sonorants pair plain with glottalized. There is no rhotic.

LabialAlveolarLateralVelarLabiovelarUvularLabiouvularGlottal
Plosiveptkkʷqqʷʔ
Ejectivepʼtʼkʼkʷʼqʼqʷʼ
Affricatet͡st͡ɬ
Ej. affricatet͡sʼt͡ɬʼ
Fricativesɬxxʷχχʷh
Nasalmn
Gl. nasalmˀnˀ
Approximantwl, j
Gl. approx.wˀlˀ, jˀ

1.2 Vowels

Six vowel qualities, a e i o u ə, with a phonemic length contrast. Schwa /ə/ is by far the commonest vowel. Long vowels carry weight for stress.

1.3 Romanization

This grammar uses a fixed romanization. (For the native writing system, see section 15.) An apostrophe after a consonant marks an ejective. An apostrophe before a sonorant marks glottalization.

SoundWrittenSoundWrittenSoundWritten
ʔ‘t͡scɬlh
pʼ tʼ kʼ qʼp’ t’ k’ q’t͡sʼc’x χx qh
kʷ qʷkw qwt͡ɬtlxʷ χʷxw qhw
kʷʼ qʷʼkw’ qw’t͡ɬʼtl’mˀ nˀ lˀ jˀ wˀ‘m ‘n ‘l ‘y ‘w

Vowels are written a e i o u ë (ë = /ə/); long vowels are doubled (aa, ëë, ii …); the glide /j/ is written y.

1.4 Phonotactics and stress

The syllable is (C₁)(C₂)V(ː)(C₃), with the three consonant positions sharply restricted rather than free. The nucleus is a single vowel, short or long. The onset holds at most two segments and rises in sonority toward the nucleus: C₂, the slot next to the vowel, is the true onset and may be any consonant, while the optional outer slot C₁ is filled only by the sibilant s or the lateral ɬ, the one licensed cluster type (e.g. sp-, ɬk-), the cross-linguistically familiar sibilant-initial exception. The coda is a single consonant, and it may be any coda-capable consonant: obstruent codas are core to the language, since the hardening mutation itself yields them (qw’etl → qw’etl’, “in hand”). Only /h/ is barred from the coda. The bare glottal stop is admitted in a closed class of words like nu’ “I”. The sonority scale is plosive/affricate < fricative < nasal < liquid < glide < vowel.

Two further limits keep syllables light. The rhyme is maximally bimoraic: a syllable may have a long vowel or a coda, not both (woo, lhax, tin are well-formed; *lhaxn, *iiqn are not). The one lexical holdout, iiq “rum”, is best analysed with a diphthong nucleus rather than as long V + coda. And glottal-initial and glottalized-sonorant-initial onsets occur only in strong position: word-initially, after a vowel, or after a proclitic boundary. This is why such segments cluster at the starts of words like ‘ima, ‘na, ‘yek’.

A syllable is heavy if it has a long vowel or a sonorant coda; primary stress falls on the leftmost heavy syllable, otherwise the rightmost. An ejective or other obstruent coda does not add weight: only sonorants are moraic, which is precisely why the bimoraic limit treats VV and V-sonorant as equivalent and forbids stacking them.

2. Morphophonology

Lhawën features a mutation of the stem-final consonant, grammaticalizing the oldest distinction a raider knows: is the thing in my hand, or am I still chasing it?

Hardening: “in hand” (realis, completed, seized): strengthens the final consonant. Plain stop → ejective (t → t’, q → q’), s → c’, tl → tl’, lh → ‘l, sonorant → glottalized. It pairs with the begun prefix na-.

Weakening: “in chase” (irrealis, prospective, pursued): softens the final consonant. Voiceless stop → voiced (t → d, q → gh), tl → dl, s → z, loss of glottalization.

Note the minimal pair of the verb qw’etl “seize”:

(T13) Qw'edl-ën 'i q'was='wa — ti' qw'etl'-ën hëq.
seize\WEAK-PV TOP gold=OH — NEG.NB seize\HARD-PV yet
"The gold is being chased — not yet in hand."

(T29) Na-qw'etl'-ën=tul 'i q'was=ki!
BEG-seize\HARD-PV=1pl.CREW TOP gold=HU
"We seized the gold — in hand now, hull-up before me!"

The low, voiced qw’edl “give chase” becomes the hard, ejective qw’etl’ “seized, in hand”, the consonant reporting possession. Reduplication is the other signature process: CV- reduplication marks the progressive (yi~yil “keeping watch”, T1; lha~lhalhik “glimmering”, T4), full-stem reduplication marks plurality (tin → tin-tin “crew”, T14), and heavy reduplication marks the intensive (“raid upon raid”).

3. Word classes

Lhawën distinguishes nouns, verbs, modifiers (joined by the linker në), a closed class of relators (case markers and directionals), pronouns, demonstratives, numerals, particles (negation, question) and interjections (qw’ë “aye”, ‘në “nay”, se! “quiet!”). Aspect and mood are not particles; they are carried by the stem mutation and the na- prefix (§7.2). Most roots can predicate directly. It is voice morphology that makes a root verbal.

4. The noun phrase

4.1 Case relators

Four particles head the noun phrase and assign its role.

RelatorRoleFunction
‘iTOPICthe in-focus argument selected by the verb’s voice
saAGENTnon-topic actor, non-topic patient, possessor; non-topic core argument
xaLOCUSlocation, source, oblique
quGOALdestination, purpose, beneficiary, “to/toward”

Personal names take the article hi (topic) and kan (oblique) instead of ‘i / xa, as in hi Qw’iq’ “(Old) Qw’iq’” (T6).

4.2 Horizon clitics: can you see it?

Every referential noun may (and in vivid narration must) carry a clitic placing it on the lookout’s three-way scale of sight.

CliticGlossMeaning
=kiHUhull-up: in plain sight, whole
=lhaHDhull-down: sails or masts only, on the rim
=’waOHover-horizon: known, named, unseen

The tale tracks the prize on this scale: it first appears kanla në ‘ima=lha “a lone lantern, hull-down” (T3); at the chase’s climax ‘inki ‘i kanla=ki “here is the lantern, hull-up” (T15); and when escaping, the ship is lhax=‘wa “the ship, over the horizon”, gone and unnameable (T36). To name a thing =ki is to vouch for it; =’wa is the horizon of rumor and the dead.

4.3 Directionals

There is no left/right and no north. Bearings are absolute and maritime, in three axes; each is an enclitic that locates a noun or orients a verb.

Axistoward speaker / shipaway
deictic-me VEN (hither)-na ITV (thither)
coast-tin LWD (landward, havenward)-lhuq SWD (seaward, to deep water)
wind-k’aw WWD (windward, up-wind)-tul LEE (leeward, down-wind)

The home is the fixed center of the world, so -tin “landward” always means toward home and safety and -lhuq “seaward” means toward the deep and the hunt. In the text, the fog drifts qu-lhuq “out to seaward” (T1), the chase is muxw-k’aw “to windward” (T12–T13), the longboat is rowed qu-tul “leeward” (T16), and the escape is tlam-tin “flee landward, run home” (T33–T34).

4.4 Demonstratives

Four terms, transparently deixis + horizon: ‘inki “this: by me, hull-up” (T15), yatin “that: by you”, yawu “yon: away but in sight”, and tu’wa “yonder: gone, over the horizon” (T35). Tu’wa doubles as the bilge euphemism for death (§12).

5. Possession

How a thing is held is characterized by how it was got. Inalienable possession, body parts, kin, and a ship’s timbers, take the possessor enclitic directly: ‘i q’an=ni “her keel” (T20), qu ‘yek’=ku “to my hand” (T21). Alienable possession pass through one of exactly two classifiers, and the choice is a moral claim.

ClassClassifierCovers
PLUNDERqw’ac-loot, prizes, seized cargo: anything taken
EARNEDwa’-fair shares, honest trade: anything won or made
(T31) Qw'ac-q'was, na-paha'-ën=tul; wa'-q'was, pëq'.
PLUN-gold BEG-share-PV=1pl.CREW; EARN-gold, no
"Plundered gold we share; earned gold we do not."

The qw’ac- / wa’- distinction is the nearest thing the language has to a word for honor.

6. Pronouns

Three parallel sets, topic, agent (a genitive enclitic), and oblique (prefix xa-), with a true clusivity contrast, a special crew-inclusive, and a deferential form for addressing the captain.

TOPICAGENTOBLIQUE
1sgnu’=kuxanu’
2sgk’aw=muxak’aw
2sg DEF (to the captain)ta’an=ta’xata’an
3sgsiya=nixasiya
1pl EXCLna’m=nawxana’m
1pl INCLkit=taxakit
1pl CREW (all aboard)kitul=tulxakitul
2plk’am=niwxak’am
3plsi’l=nilxasi’l

The form depends on role. A topic actor (the subject of an actor-voice or intransitive clause) takes the free form. Kitul stands to windward (T13), clambers aboard (T18), and drinks in the haven (T37). A non-topic actor: the agent of a plunder-, locus-, or conveyance-voice clause, takes the agent enclitic instead. It is =tul that seizes the gold (T29), shares it out (T31), and is denied naming the lost ship (T36). The navigator likewise asks =mu “you” of the lad (T7) but addresses the captain with the deferential ta’an / =ta’ (T11), and the exclusive na’m “we, not you” sets the boarding party apart (T14).

7. The verb

The verbal template is: [na- BEG] [voice-prefix] ROOT[mutation] [-voice-suffix] [-directional/AM] [=a IMP].

7.1 Voice (the trigger)

VoiceMarkerTopic is…Example
Actor (AV)unmarked (emphatic më-)the doer(T3) na-tuk’ nu’ “I spot a lantern”
Plunder (PV)suffix -ënthe thing taken(T7) tug-ën=mu “what you see”; (T29) …qw’etl’-ën… ‘i q’was “the gold we seized”
Locus (LV)suffix -anthe place / goal(T19) …na-tuk’-an… p’ëq “the deck where we found…”
Conveyance (CV)prefix ci-the means / thing conveyed(T30) Na-ci-qw’etl’-na… ‘i qakwëm “the longboat we carried it off in”

Four voices each promote one argument to ‘i-topic. Actor voice is the unmarked default: the topic actor simply takes a free pronoun (T1, T3), and the optional prefix më- only adds emphasis. The system is reorganized around the act of taking, so the patient voice is literally the plunder voice.

The four voices let the storyteller foreground whatever the moment is about: the lookout (AV) when he is the news, the gold (PV) when the prize is, the deck (LV) when the place is the horror, the boat (CV) when the means of escape matters.

7.2 Aspect and mood

Realized by the consonant mutation, reinforced by the begun prefix na-. Not-begun (irrealis, “in chase”) is the weakened stem with no na-; begun (realis, “in hand”) is na- plus the hardened stem. The imperative also uses the weakened stem. A future resolve stays in the not-begun form, since it reports intention: Qw’edl-ën=tul siya “We (will) take her” (T12). The progressive is CV-reduplication (T1, T4, T14).

7.3 Knowing, and the horizon

In a culture run on lookouts and rumor you must say how you know what a prize is. That work is carried by the horizon clitics of §4.2: to name a thing =ki (hull-up) is to vouch for it; =lha (hull-down) reports only what can be inferred from a silhouette on the horizon; and =’wa (over-horizon) is the domain of the rumored and the dead.

The lookout’s report includes these: Lhax=lha “a ship, by the look of it” (T8), Q’waslhax=’wa “a treasure-ship, they say” (T11), and at last the difficult =ki once the thing is in sight (T15, T29). Where sight is not enough, the verb itself does the telling: tuk’ “see, find” for what is witnessed, qilh “hail (a report)” and qhëwti “ask” for what is passed along. The closing proverb into a maxim based on the seen/heard contrast (see T38): gold hull-up is gold; gold over-horizon is only wind.

7.4 Associated motion and the returnative

The directionals attach to the verb to bundle a movement into the action. There is also the returnative -p’ëlh “raid and return”.

(T33) Qw'edl-p'ëlh=a, k'am! Tlam-tin=a!
seize-RET=IMP 2pl! flee-LWD=IMP!
"Take it and run home, lads! Away to landward!"

The idea is to go out, take, and come home to divide the plunder.

7.5 Imperatives

The imperative is the (weakened) stem plus the clitic =a, usually with a directional. The negative imperative prefixes ti’: Qwët’ë-me=a ‘i qakwëm “Row the longboat over!” (T16); Ti’ qw’edl-ën=a “Don’t take it!” (T26).

8. Numerals

Decimal in structure and based on hands: wec’ “five” is literally a hand, mëwec’ “ten” two hands.

1234510
muk’etsu’paqhwec’mëwec’

Numerals modify a noun through the linker në: ‘i mu në tin “one of the crew” (T17), ‘i su’ në asët “three chests” (T32). Teens are mëwec’ në + unit; tens are unit + mëwec’; higher units xantus 100, xanlip 1000. Ordinals prefix xi-. “How many?” is wila (T9). By custom, counting begins from the share owed to the lowest crewman, never the captain’s cut.

9. Negation and existence

Three negators: pëq’ negates nouns and identity (T15, T28); ti’ negates not-begun (irrealis) verbs and forms negative imperatives (T9, T26, T36); wa’ negates begun (realis) verbs and serves as the negative existential “none” (T2, T19). Existence is positive ‘an “there is” (T21). The negator pëq’ also forms privative compounds: pëq’-qëp’aq “un-cursed, no curse” (T28).

10. Questions

Content questions front an interrogative word (‘unu what, xisu who, xay where, mëta’ why, suman when, lhintin how, wila how many): ‘Unu ‘i tug-ën=mu, lhetl? “What do you see, lad?” (T7); Wila ‘i tin xa lhax=’wa? “How many aboard that ship?” (T9). Polar questions take the clause-final clitic =ga: Qw’edl-ën=ga=ta’ siya? “Will you take her?” (T11); Lhëk’=ga? “True, is it?” (T27).

11. Coordination and subordination

The all-purpose linker në ties a modifier or relative clause to its head: kanla në ‘ima “lone lantern” (T3), xwa’m në na-lhuq-na “a captain who went to the deep” (T23). The coordinator iwan “and” joins clauses and phrases (T1, T14, T21); the contrastive ka “but / or” sets things against each other (T8, T28). The subordinator pan “if / when” opens a conditional, whose consequence takes begun na-:

(T25) Pan qw'edl-ën=tul 'i qëp'aq-q'was, na-pot kitul.
if seize\WEAK-PV=1pl.CREW TOP curse-gold, BEG-sink 1pl.CREW
"If we take cursed gold, we go down."

12. Non-verbal predication and registers

A noun, modifier, or demonstrative predicates directly, with no copula; the predicate comes first, the ‘i-topic after: Haana ‘i lhaq=ki “The sea is glassy-calm” (T2); Qoq’op’lhax siya “She is a ghost-ship” (T24); q’was ‘i q’was “gold is gold” (T28).

Speech runs in three social tiers, and the choice of word places the speaker: the quarterdeck (high, used to and about the captain), the crew (neutral), and the bilge (low: used downward, or to and about landlubbers). Core verbs come in triplets: “come” is ca’me / këme / xwitna, “speak” is ‘yana / ‘yan / wëqwa. In the text, when the captain comes up she ca’mes and the navigator ‘yanas to her (T10), high words marking deference. And the dead captain of the prize did not simply die: she na-lhuq-na, “put out to the deep” (T23), the quarterdeck’s honorable death, literally go-seaward, the very directional that elsewhere means the hunt.

13. Syntax

Lhawën is predicate-initial. The unmarked order is Predicate – Agent – (Locus) – Topic, but because the voice already tags every role, constituents move freely for emphasis; the ‘i-topic gravitates to the end as the clause’s pivot. When the agent is a non-topic actor it is not a free word but the enclitic on the verb, so the “Agent” slot can be filled inside the predicate:

(T29) Na-qw'etl'-ën=tul 'i q'was=ki!
BEG-seize\HARD-PV=1pl.CREW TOP gold=HU
Verb[=Agent =tul] — Topic ('i q'was)

Discourse prominence is managed by choice of voice: the narrator stays in actor voice while he is the news, shifts to plunder voice when the gold becomes the point, to locus voice for the horror of the empty deck, and to conveyance voice for the means of escape. The three obligatory deictic systems (case, horizon, and bearing) mean a single Lhawën clause reports who did it, whether it can be seen, and where it lies on the wind and the coast.

14. The spoken language

Lhawën is the polite form; the common Saltwashed speak its spoken form, Lhawen. The two names are the same word. The schwa of Lhawën fallen in with plain e.

The spoken language is not written. Its grammar and pronunciation are not formalized and vary among settlements. There are no orthographic conventions for writing it. Educated people regard it as careless speech or slang.

The spoken language is unlikely to be spoken to superiors. Whether it happens depends on the speaker’s level of education. Being unable to speak the polite language can be a reason to look down on someone.

Final glottals, ejectives and glottalized sonorants raised a high tone on their vowel and then let go their constriction; final fricatives left a low tone; the harsh uvular series first coloured its vowel (i→e, u→o, a→o) and then merged away (q→k, qh→h, qw→kw, qhw·xw→w); the affricates smoothed (c→s, tl→t); medial ejectives lost their pop, surviving only word-initially; schwa merged to e; and length and almost every coda were lost, leaving a (C)(w/y)V(n/l/lh) syllable structure. A few signatures remain such as the lateral lh, rare initial ejectives, and the s/lh+stop onset.

The sound changes in the most common spoken dialects were:

  • Tonogenesis. The old laryngeals turned into tone. A word-final glottal stop, ejective or glottalized sonorant raised a high tone on its vowel and then let its constriction go; a final fricative left a low tone as it fell (only the lateral lh stayed on as a coda); a final plain stop or affricate left a mid, “checked” tone; and a word-initial ejective likewise lent its syllable a high tone. The three register tones, high á, mid a, low à, were formed here. They now carry much of the grammatical load the lost consonants once did.
  • Onset register. Word-initial ejectives survived (as in p’at’ → p’á “hardtack”), but every ejective and glottalized sonorant inside a word is no longer glottalized.
  • Codas, clusters, and lenition. Almost every coda went away. Final stops and affricates dropped (a uvular colouring its vowel on the way out); m and n neutralized to n; a final glide melted into the vowel, -w rounding it and -y fronting it; only n, l, and the signature lh survived as codas. Onset clusters reduced to the consonant nearest the vowel, sparing the licensed s/ɬ + stop and any consonant + glide. A lone plain stop between vowels voiced (p t k kw → b d g gw) which is why a root keeps its voiceless stop word-initially (kanla “lantern”) but shows a voiced one when a vowel-final element is fixed in front of it (‘na- + kanla → náganla “corpse-light”; iiq + tii → edi “grog”).
  • The uvular purge. The uvular series first coloured its neighbouring vowel (a → o, i → e, u → o, ë → o) and then merged away: q → k, qw → kw, q’ → k’, qh → h, qhw · xw → w, x → h. The uvulars survive now only as a shadow in the vowel.
  • Smoothing. The affricates softened (c (ts) → s, tl → t) while lh was kept, and any ejective that had reached a medial slot was flattened, leaving ejectives only word-initially.
  • Vowels and repair. Schwa, the spine of the old tongue, merged into e; vowel length was lost; and where falling consonants had left two vowels abutting, a glide (y or w) was slipped between them. The result is a syllable structure (C)(w/y)V(tone)(n/l/lh). The lateral lh, rare word-initial ejectives, and the s/ɬ + stop onset remain.
Polite (Lhawën)Spoken (Lhawen)gloss
lhaxlhàship
qw’etlkw’éseize
q’wask’wògold
xwa’mwáncaptain
’mëqmófog
LhawënLhawenthe tongue itself

Because so many distinctions converge to so few shapes, the spoken form has new homophony: polite lhaq “sea”, lhuq “the deeps” and lho “astern” all fall together as lho, and xwa’m “captain” and ’wam “landlubber” both become wán. The spoken language leans on context, and letting tone do some of the work the lost consonants once did.

Puns in the spoken language are a source of cultural associations. For example, the sea is associated with favor (lho). A cutlass is associated with waves (só). A sharp look is said to pierce the soul like a talon (lhé). A lighthouse flows into the cliff it’s built on in popular imagination (k’ó), and both are thought of a wind-swept places. Both bronze and debt are associated with things that weigh us down (hòlh). The crew has always been associated with a haven (tin).

15. Irregularities

The polite speech contains a handful of lexical and morphological irregularities:

  • Invariant verbs. A few high-frequency verbs (muxw “rove”, pot “sink”) never take the stem mutation, even where the rule would predict one (T12, T25).
  • The lone heavy syllable. iiq “rum” is the one root that breaks the bimoraic limit (long vowel and coda); it is best read as a diphthong, and it is the only such holdout (§1.4).
  • A frozen dual. “Ten”, mëwec’, is literally “two hands”, yet it uses the old dual prefix më- rather than the living numeral k’et “two”, a relic the counting system no longer forms productively (§8).
  • Homophony. k’aw is at once “you” (2sg), “wind”, and “windward”, and the enclitic =tul is both the crew-inclusive agent (“we, all aboard”) and the leeward bearing. Distinct origins, identical shapes; only the clause tells them apart (§4.3, §6).
  • Suppletive registers. The everyday verb has no regular high or low form: “come” is ca’me / këme / xwitna and “speak” is ’yana / ’yan / wëqwa across quarterdeck, crew and bilge, unrelated roots chosen by whom one addresses (§12).
  • A lexicalised bearing. Seaward -lhuq means “toward the hunt” everywhere except of a captain’s death, where na-lhuq-na “put out to the deep” is the quarterdeck’s honourable “she died” (§12).
  • Glottal-final roots. A root that already ends in the glottal stop, like paha’ “share”, cannot harden any further, so its “in-hand” stem is identical to its base: a gap in the mutation (§2).
  • The gold-cluster. q’was “gold” carries a rare onset cluster the language otherwise forbids. Compounds inherit the spelling (Q’wastin “Goldhaven”, Q’wasmëk’ “Goldsail”). The spoken language preserves both segments as k’wò.

16. Lexicon

Verbs are cited in their base form; the hardened “in-hand” and weakened “in-chase” stems follow by the regular mutation. A few high-frequency motion verbs (muxw “rove,” pot “sink”) are invariant and do not mutate. Grammatical morphemes documented in earlier sections are gathered again here for completeness. Spoken forms are given in parentheses.

Sea, sky & weather

lhaq (lho) sea · lhuq (lho) the deeps, seaward · qhatl’ (hó) “abyss” · k’aw (k’ó) wind · haana (hana) glassy calm · c’aw (só) wave · ‘lanu (lánu) swell, long wave · qhwam (won) storm · qësliqw’ (kòlé) squall · ‘mëq (mó) fog · ‘mat’ë (mádé) fog-bank · ‘ëtluqw’ (‘etó) the undertow · o’mluk’ (ónlú) whirlpool · qhëmii (homi) deep current · q’ëqhwu (k’ówo) brine · lhëk’ik’ (lhegí) sea-foam, spray · wënëc (wene) doldrums, dead calm · lho (lho) dark, astern · hëq’on (hekón) horizon, the rim · sumal (sumal) sky · mëcë (mese) moon · liwë (liwe) dusk · wëm (wen) breeze · mumëë (mume) a hum, a drone · ‘nakanla (náganla) St Elmo’s fire (soul-lantern) · qa’mq’umë (kónkóme) red dawn (that warns of an incoming storm) · qhwosc’aw (wòsó) freak wave (downing wave) · taa (ta) year, season · ‘male (mále) warm.

Coast, shore & ice

tin (tin) haven, anchorage · k’ëqhwon (k’éwon) reef, hidden rock · xëp’i (hebí) sandbank, shoal · nëhë’n (nehén) tidal flat, marsh · qhwëtli (woti) sea-cave · ikw’ëtl (igwé) ice-floe · ulhxek (ùlhhe) kelp, seaweed · tlëpeq (tebe) driftwood · tlu (tu) tide.

Ship & gear

lhax (lhà) ship · mëk’ (mé) sail · c’ël (sél) mast · q’an (k’ón) keel · p’ip (p’í) rail · p’ëq (p’ó) deck · kwee’la (kwelá) gunwale · p’ëqwo (p’ékwo) spar · ‘mus (mù) rope · yëk’ë’n (yegén) halyard, sail-rope · qakwëm (kogwen) longboat · ak’ë (agé) oar · lhap (lha) flag, colors · kanla (kanla) lantern · sëno (seno) signal-smoke · c’ëq (só) cutlass · tl’ëk’ix (tégì) harpoon, fish-spear · slix (lì) flint · t’ënop’ (t’énó) anchor-stone · cëtë (sede) net · c’ët’u (sédú) knot, splice · asët (ase) chest · iiq (e) rum · eti (edi) ember, ash · pëk’u’l (pegúl) barnacle · lhën (lhen) sea-chart · q’amu (k’ómu) great hull, galleon · lhuxw (lhù) fast cutter · ‘nac (ná) ink, lamp-black.

Creatures, fish & the catch

këtik’ (kedí) gull, sea-bird (Saltwashed gulls can bend solid metal and tolerate bronze that has been cooking in the sun for hours. They have some muscular, dinosaur-like features.) · lëc’atl’ (lesá) eel, sea-serpent · muqw’ (mó) leviathan, great sea-beast · qhwam (won) stormcaller (a mythical creature) · lhim (lhin) fish (the catch, a fish) · lhqin (lhkin) silverfish, shoalfish (the schooling food-fish), bait · tlup’ (tú) deepfish, grouper, great cod · xëp (he) corpsefish (flatfish, sole) · nëq’ (nó) spinefish (rockfish) · cutl’ (sú) biter (sea-pike) · katl (ka) shellfish, crab · lap’ (lá) roe, spawn · c’aqhwal (sáwol) shark · kanlalhim (kanlalhin) lantern-fish.

People & rank

tin (tin) crewman (plural tin-tin crew) · kitul (kidul) all-hands, the whole company · xwa’m (wán) captain · mëlqu (melko) navigator · ‘wam (wán) landlubber · lhetl (lhe) lad · noq’a (nokó) comrade, sworn brother · op’ (ó) old · k’an (k’án) kin · ‘na (ná) soul · qoq’op’ (kokó) ghost · Lhaxwëm (Lhawen) the Saltwashed (the people) · Lhawëm (Lhawen) the Laven (the ethnic group) · tu’wëm (tuwén) outlaw · tlamuwam (tamuwan) Ledger-agent, enforcer · t’enke (t’énke) share, lot · t’enkewam (t’énkewan) quartermaster · t’anlhic (t’ánlhi) the Articles · lhosëp‘ (lhosé) given to a captain who has been voted down · k’atlwam (k’áwan) “surgeon” · lhicwam (lhiwan) rollmaster (sometimes insulting name for a bookworm) · imi (imi) sister.

Loot, wealth & qualities

q’was (k’wò) gold · qhin (hen) silver · maq’ (mó) jewel · xe (he) coin · q’wasxe (k’wòhe) dubloon · kw’ët’ (kw’é) bell, bell-metal · ‘wac’ (wá) loot, prize · qëp’aq (kobó) curse · xap’ (há) cold · hap’pë (hábe) heavy · tlaq (to) empty · ‘ima (ima) lone · lhëk’ (lhé) true · p’el (p’él) quick · wënii (weni) unseen, hidden · ëlhqi (èlhke) other, changed, touched by otherworldly forces, zombie, cultural or ethnic minority · wëtl (we) free, unbound · tëtle (tete) waterline, tide-mark · nuk’ (nú) loyal, faithful · tëq (to) sure, sound, safe · lhëq (lho) favor, patronage · lhëm (lhen) kept, leashed · lhumli (lhunli) slow.

Body & remains

‘yek’ (yé) hand · la’ëq’ (la’ó) bone(s) · ‘atl (‘a) heart · k’atl (k’á) wound, gash · pec’ (pé) tooth · lhëtl’ (lhé) talon, claw · potl’ (pó) fang · t’up (t’ú) foot · lhes (lhè) eye · lheslhap (lhèlha) eyepatch.

Verbs & actions

tuk (tu) see, find · yil (yil) keep watch · qilh (kèlh) hail · qhëwti (hodi) ask · k’ot’ë (k’ódé) answer · ‘yan (yán) speak, name (also ‘yan a tale, telling) · pusec (puse) whisper · qaxwo (kowo) remember · muxw (mù) rove, sail · qwët’ë (kwodé) row · atuk (adu) haul · sut’ë (sudé) board · qw’etl (kw’é) seize · qhac’ (hó) fish, take fish · lup’ (lú) salt, cure, preserve · tay (te) eat · ‘mu (mú) drink · qhalon (holon) wash over, drench; be awash · paha’ (pahá) share, divide · tlam (tan) flee (in-hand tla’m) · pot (po) sink, go down · kwën (kwen) fade · woo (wo) drift · yëk (ye) stir, move · k’i’lëq (k’íló) creak · loc (lo) fear · k’ukwa (k’úgwa) laugh · tl’et (té) swear · c’aq (só) outfit, make ready · mët’u (medú) venture, dare · kët’a (kedá) strike out, unname · qa’lë (kolé) pardon, forgive, give quarter · lhalhik (lhalhi) glimmer, shimmer · qhwos (wò) drown · k’uk’sët (k’úse) careen · slap’ (lá) hoist, run up · q’uc’up (k’ósú) fight, brawl, cross baldes · t’ak’ (t’á) interjection (Charge! or Aboard!) · t’ik’ (t’í) hide, stash · ne’l (nél) mend, repair · lhii (lhi) read · qhax (hò) write, score · yolh (yòlh) to sound deep water (also the noun sound) · qhu’m (hón) dive · ukw (u) swallow · kw’atl (kw’á) cast off, tear loose · amo (amo) teach · mooxu (mohu) sleep; dream · xii (hi) weep.

Quarterdeck, Crew, Bilge

The order is as written above.

ca’me (samé) / këme (keme) / xwitna (wina) come · ‘yana (yána) / ‘yan (yán) / wëqwa (wekwo) speak · lhuq-na (lhona) put out to the deep” · lhaxqum (lhàkon) brig.

Demonstratives & interrogatives

‘inki (‘inki) this (hull-up) · yatin (yadin) that · yawu (yawu) yon · tu’wa (tuwá) yonder, gone · ‘unu (‘unu) what · xisu (hisu) who · xay (he) where · mëta’ (medá) why · suman (suman) when · lhintin (lhintin) how · wila (wila) how many.

Numerals

mu (mu) 1 · k’et (k’é) 2 · su’ (sú) 3 · paqh (pò) 4 · wec’ (wé) 5 (a hand) · mëwec’ (mewé) 10 (two hands) · xantus (hantù) 100 · xanlip (hanli) 1000 · ordinal prefix xi-.

Pronouns (topic / agent-enclitic)

nu’ (nú) / =ku 1sg · k’aw (k’ó) / =mu 2sg · ta’an (ta’an) / =ta’ 2sg deferential · siya (siya) / =ni 3sg · na’m (nán) / =naw 1pl exclusive · kit (ki) / =ta 1pl inclusive · kitul (kidul) / =tul crew-inclusive · k’am (k’án) / =niw 2pl · si’l (síl) / =nil 3pl. Oblique with prefix xa-.

Particles & grammatical words

‘i (‘i) topic · sa (sa) agent · xa (ha) locus · qu (ko) goal · hi (hi) / kan (kan) personal article · në (ne) linker · iwan (iwan) and · ka (ka) but, or · pan (pan) if, when · pëq’ (pó) not (nouns, identity) · ti’ (tí) not (irrealis, neg-imperative) · wa’ (wá) none, negative existential · ‘an (‘an) there is · olu (olu) again · hëq (ho) now, at last · se (se) quiet, still · qw’ë (kw’ó) aye · ‘në (né) nay.

Affixes & clitics

na- begun (realis) · më- actor voice (emphatic; AV otherwise unmarked) · -ën plunder voice · -an locus voice (also nominal -an “place-of,” as in Yilan “the Lookout”) · ci- conveyance voice · =ki hull-up · =lha hull-down · =’wa over-horizon · -me ventive · -na itive · -tin landward · -lhuq seaward · -k’aw windward · -tul leeward · -p’ëlh returnative · =a imperative · =ga polar question · qw’ac- plunder class · wa’- earned class · -wëm folk, people (in ethnonyms: Lhawëm, Lhaxwëm) · -wën tongue, speech (in glottonyms: Lhawën “the Laven tongue”).

The seven seas

Sea-names are a quality-word before lhaq “sea”: kup’ (kú) brass → Kup’lhaq (Kúlho) the Sea of Brass · kawye (koye) mead → Kawyelhaq (Koyelho) the Sea of Mead · qa’m (kón) blood → Qa’mlhaq (Kónlho) the Sea of Blood · tl’iq (té) ice, frost → Tl’iqlhaq (Télho) the Sea of Ice · ‘mëqh (mò) veil, shroud → ‘Mëqhlhaq (Mòlho) the Sea of Veils · seqh (sè) silence, hush → Seqhlhaq (Sèlho) the Sea of Silence · lëtl (le) star → Lëtllhaq (Lelho) the Sea of Stars.

Places, landmarks

taq (to) isle (plural taq-taq isles, archipelago) · mak’ (má) sea-stack, rock · xël (hel) strait · nëpa (neba) cove (alternate romanization: neva) · q’ëkw (k’ó) cliff, crag · qëqw’ (kó) maw, gate · qhii (he) reach, sound · hës (hè) cairn, barrow · lupi (lubi) mere, pool · nuq (no) well, cistern · q’oo (k’ó) beacon-tower · qum (kon) hold, keep · tlëq (to) fastness · p’ic (p’í) roost, eyrie · kep’ (ké) perch · c’ap (sá) quay, wharf · qil (kel) lane, row · lhan (lhan) square, open ground · qëtl (ko) stair, steps · ‘wëp’ (wé) needle-rock, spire · tu’wataq (tuwádo) marooning rock · k’uk’sëtan (k’úsedan) wreck (literally careenage).

Settlements

tutëq (tudo) settlement, town (alternate romanization: tutec) · tin (tin) haven, anchorage, roadstead · xankwëm (hankwen) port-town, harbor-city · naxwe (nawe) fishing-village, hamlet · xospan (hòban) market-town, entrepôt · qaqo (koko) outpost, waystation · wëtltin (wedin) free-port (wëtl free + tin haven) · ‘mutin (múdin) tavern, drink-house (‘mu drink + tin) · Lhaxwëmtaq (Lhawento) the Saltwashed Archipelago · ‘muqum (múkon) hole-in-the-wall grog supplier · lhuqtutëq (lhodudo) underwater ruins (alternate romanization: luctutec) · wootin (wodin) raft-town (as opposed to a tutec of salvaged bronze) · wëniinëpa (wenineba) hideout · tu’wap’an (tuwábán) gibbet · ‘muqil (múkel) tavern-lane.

Trade & the harbor economy

qhës (hò) assay, weigh · tek’ (té) scale, balance · wësqa (wèko) build, make · lhep’ (lhé) deal, trade · tlamu (tamu) tally, ledger · ‘wat (wá) toll, a cut · siqw (se) salt, grain-salt · p’us (p’ù) profit, gain · qhëlh (hòlh) debt, what is owed · sip’ (sí) interest · qhëtl’ (hó) bond, obligation · lhep’wam (lhéwan) creditor, money-lender · wëtaq (wedo) toll-gate · qhwës (wò) a vote, a voice in council · paxw (pà) a bribe · kët’an (kedán) the Striking (the decree of outlawry) · ‘wanu (wánu) writ, sealed word · lhic (lhi) / ‘yanlhic (yánlhi) the Roll, the name-roll (register of standing) · sëp’ (sé) a marque, sealed commission · tlamuqum (tamukon) the Counting-house (the Ledger’s seat) · tlamuxwa’m (tamuwán) Ledger-captain (the co-opted). See also kët’a “strike out, unname” (Verbs).

Bronze, building & the drowned world

qhulh (hòlh) bronze, the salvaged deep-metal · p’an (p’án) pile, bronze post · wëk (we) rig, staging platform · xum (hun) sandbar, dry ground · qhwap (wo) the salvage-floor · qhan (hon) hall, great-house, palace · k’um (k’ún) house, dwelling · qum hold, keep · tal (tal) high, tall · lhuy (lhi) verdigris green (sea-aged bronze) · lilsuu (lilsu) wire-weed.

War, oaths & omen

qot’ (kó) war· qhëp’ (hó) wrath, fury · sëqwa (sekwo) scourge, lash · p’aqhu (p’áho) reckoning, requital · q’umë (k’óme) dawn, first light · mët’ (mé) a vow · q’ak (k’ó) an expletive.

Food & the table

huqu (huko) food, fare, provisions · siqwlhim (selhin) salt-fish, the staple ration (siqw + lhim) · c’itl’ë (síté) hardtack, ship-biscuit · kwumim (kwumin) chowder, sea-stew, pottage · lulhuu (lulhu) gruel, burgoo, porridge · xwëp’ (wé) salt-horse · lok’ (ló) egg(s), gull-egg · kwislhe (kwìlhe) laver, kelp-food, sea-greens · lhap’i (lhabí) salt-roe, a delicacy (alternate romanization: lavi) · moopa (moba) honey · kekë (kege) honeycomb · p’at’ (p’á) weevil, a starvation food on some rocks · suuswa (sùwa) fat skimmed off the galley-pot, used in cooking · tëpxi (tehi) galley, ship-kitchen · huquwam (hukowan) cook, victualler.

Drink

qwëm (kwon) drink, a draught, beverage · tii (ti) fresh water, sweet water · iiq (e) rum · iiqtii (edi) grog, watered rum (iiq + tii) · kawye (koye) mead · qël (kol) small-beer, weak ferment · skiq (ske) spirits, strong liquor · cëqh (sò) a bitter brew, brine-tea · moxwu (mowu) horn-cup · iiqpaha’ (ebahá) rum ration · iiqmët’u (emedú) rum courage · iiqsip’ (esí) hangover.

Faction, council & coalition

t’ëq’ (t’ó) following, faction, party, a bloc (partisan t’ëq’wam) · t’ëq’wam (t’ówan) partisan · tlëswëq (tèwo) coalition, league, confederacy (the generic term; the Gone’s own is Wëtllhaq) · tënces (tensè) council, assembly (gathered captains) · t’an (t’án) pact, accord, sworn alliance · qhwës a vote, a voice in council, a show of hands · qhëtl’ bond, obligation · talip (tali) parley.

Piracy

qw’ëltlap’ (kw’óltá) mutiny · moho’n (mohón) maroon · q’anatuk (k’ónadu) keelhaul · ulëqh (ulò) scurvy · kwat’eqw (kwadé) swagger · c’op (só) wretch · yicap (yisa) layabout · qoq’op’lhap/la’ëq’lhap (kokólha/la’ólha) Jolly Roger (ghost-flag/bone-flag) · lhënwënii (lhenweni) treasure map · ‘yek’lhëtl’ (yélhé) hook hand · p’ant’up (p’ántú) bronze leg · siqwtin (sedin) old salt · k’ëp’op’ (k’ébó) treasure, hoard · lhënsëp’ (lhensé) spot marked by X · p’ee (p’é) fire, to burn.

The Free Seas

tu’wa (tuwá) gone, named-no-more (the verdict of outlawry) · tu’wëm (tuwén) the Gone (the exiled free captains) · tlamu the Ledger (the money-council that rules the isles) · tlamuwam Ledger-agent · wëtl (we) free, unbound · Wëtllhaq (Welho) the Free Seas (the confederacy of the Gone) · qen (ken) song, shanty · tlëp (te) brink, verge.

The qhaxi’m (the writing)

qhaxi’m (hohín) “the scoring,” the Saltwashed script, a featural abugida whose letters are worn-down pictures of sea-things (see p’ëqwo spar, t’ënop’ anchor-stone, k’ëqhwon reef, këtik’ gull, and the rest above), with each base sign carrying an inherent schwa.

17. Writing system

Lhawën is written in a featural abugida, the qhaxi’m (“the scoring”). A consonant sign carries an inherent vowel, vowels and codas are added to it, and the shapes of the signs encode the sounds’ features rather than being arbitrary. It has a small core of about forty signs and builds everything else by composition, recycling and omission.

The base signs

Twenty-three base signs carry the inherent vowel schwa: the bare sign for t already reads të. The chart gives each sign’s value, the word whose picture it descends from, and that word’s sense.

Sign (Cë)ValueSource-pictureSense
‘ëglottal stop / vowel-carrier‘ëtluqw’the undertow
pëlabial stoppëk’u’lbarnacle
p’ëlabial ejectivep’ëqwospar
tëcoronal stoptëtlewaterline
t’ëcoronal ejectivet’ënop’anchor-stone
këvelar stopkëtik’gull
k’ëvelar ejectivek’ëqhwonreef
sësibilant fricativesënosignal-smoke
lhëlateral fricativelhëk’ik’sea-foam
xëvelar fricativexëp’ishoal
qhëuvular fricativeqhëmiideep current
hëglottal fricativehëq’onthe horizon
q’ëuvular ejectiveq’ëqhwubrine
cëalveolar affricatecëtënet
c’ëalveolar ejective affricatec’ët’uknot
tlëlateral affricatetlëpeqdriftwood
tl’ëlateral ejective affricatetl’ëk’ixharpoon
mëlabial nasalmëcëmoon
nëcoronal nasalnëhë’ntidal flat
lëliquidlëc’atl’eel
wëlabial glidewënëcdead calm
yëpalatal glideyëk’ë’nhalyard
qëuvular stopqësliqw’squall

Vowels, length and codas

Schwa is the unwritten default. The other five vowels are diacritic marks attached to the base, themselves descended from pictures of vowel-initial words: –a (ak’ë “oar”), –e (eti “ember”), –i (ikw’ëtl “ice-floe”), –o (o’mluk’ “whirlpool”), –u (ulhxek “kelp”). A single coda is written as the consonant’s own sign in a vowel-suppressed form. The one licensed onset cluster, s/ɬ + C, is a small element prefixed to the base.

The block is bimoraic by construction. It can take a length-mark or a coda. Two further marks complete the apparatus. Labialization (kw, qw, xw, qhw, and the labialized ejectives kw’, qw’) is a small rounding loop on the velar or uvular sign. A glottal tick serves the rare glottalized sonorants (‘m ‘n ‘l ‘y ‘w), set on the plain sonorant base. Because the ejectives are full letters in their own right, this tick is the script’s one purely featural diacritic.

Spelling

Qhaxi’m under-writes what it can afford to. Vowel length (barely 1% of syllables) is usually unmarked, the predictable word-initial glottal stop goes unwritten before a vowel, and a few high-frequency irregulars such as iiq “rum” survive as single logographs.

Worked spellings

lhax     "ship"          ⟨lhë⟩ + a-mark + coda -x
tin "crew, haven" ⟨të⟩ + i-mark + coda -n
qw'etl "seize" ⟨q'ë⟩ + rounding loop + e-mark + coda -tl
slix "flint" s- + ⟨lë⟩ + i-mark + coda -x
na-tuk' "spotted it" ⟨na⟩ (fossil) · ⟨të⟩ + u-mark + coda -k'
iiq "rum" single logograph

Typing the qhaxi’m: the Qhaxim font

The base signs are available as a TrueType font, Qhaxim Regular (Qhaxim-Regular.ttf). It is a display font containing the twenty-three base letters, the five vowel marks, and a space.

Download: https://drive.google.com/file/d/1_dyLo9LG0xdb5FP-YS_6g9UhRY73U7zl/view?usp=sharing

Lower-case types the plain letter, the shifted (capital) key adds the ejective (k → kë, K → k’ë). The full layout:

GroupType……to get
glottal / vowel-carrier'‘ë
plain stopsp t k qpë të kë që
ejective stopsP T K Qp’ë t’ë k’ë q’ë
affricatesc / C · j / Jcë / c’ë · tlë / tl’ë
fricativess f x X hsë lhë xë qhë hë
nasals · liquid · glidesm n · l · w ymë në · lë · wë yë
vowel marksa e i o u–a –e –i –o –u

So lhax “ship” is typed f a x, tin “crew” is t i n, and qw’etl “seize” is Q e j (the rounding loop and coda being supplied by hand in this version). Note the few non-obvious keys: f = lh, j/J = tl/tl’, and x/X = x/qh. Every sign sits at a fixed code point in the Private Use Area, beginning at U+E000 in the above order.


18. Sample texts

Default registers are shown first.

Adu, adu! “heave, heave” Polite: Atu, atu! (not said in living memory)

Kwen ‘i lha. “strike the colours” Polite: Kwën ‘i lhap.

Kobó ko k’ó! “Curse this wind!” Polite: Qëp’aq qu k’aw! (not said)

K’wò=wá, k’ó siya. “gold over-horizon is only wind” Polite: Q’was=’wa, k’aw siya.

Tl’et’ qu T’anlhic. “sign on” (swear to the Articles) Spoken: Té ko T’ánlhi. (not said)

T’enke k’et. “captain’s cut” (double share) Spoken: T’énke k’é.

K’ó. “dead drunk” (full of wind) Polite: K’aw.

Wá kolé! “No quarter!” Polite: Wa’ qa’lë!

Kokólha=ki! “The ghost-flag’s up in plain sight!” Polite: Qoq’op’lhap=ki! (could be said to imbue a sense of wonder or awe)

Na-kw’óltá ‘i tin-tin=ki! “The crew has risen up before my eyes!” Polite: Na-qw’ëltlap’ ‘i tin-tin=ki! (possible in a literary context)

K’ónadu-en=tul siya! “We’ll keelhaul her!” Polite: Q’anatug-ën=tul siya!

Tí tali ‘i wán — k’ó! “The captain won’t parley — blast it!” Polite: Ti’ talip ‘i xwa’m — q’ak’! (possible if the speaker is an aristocrat or a bookworm)

Sáwol=lha! Ko-tin=a! “Shark on the rim! Make for haven!” Polite: C’aqhwal=lha! Qu-tin=a!

K’ëp’op’=ki! T’ig-ën=a xa xum! “Treasure — in plain sight! Stash it in the sand!” (Polite speech sounds more authoritative. More likely in imperatives if the situation is not an emergency.) Spoken: K’ébó=ki! T’í-en=a ha hun!

Na-pahá-en ‘i t’énke sa T’énkewan, ko hagidul. “The quartermaster divided out the shares to every hand aboard.” (more likely if said to a deck hand) Polite: Na-paha’-ën ‘i t’enke sa T’enkewam, qu xakitul. (more likely if said to the captain)

Náganla ha sél! Na-ló ‘i kidul. “Corpse-light on the mast! The crew took fright.” Polote: ‘Nakanla xa c’ël! Na-loc’ ‘i kitul.

Té=a ko T’ánlhi, ka tan-tin=a! “Swear to the Articles or clear off home!” Polite: Tl’et’=a qu T’anlhic, ka tlam-tin=a!

Na-mu nú e liwe; ‘an esí k’óme. “I drank rum at dusk; comes dawn, the reckoning.” Polite: Na-‘mu nu’ iiq liwë; ‘an Iiqsip’ q’umë. (more likely as a line of poetry)

Kanla ‘Ima — “The Lone Lantern”

The complete tale from which every example above is drawn, in Lhawën with a free translation beneath each sentence. Writing always uses the polite speech. There is no standard way to write the spoken language.

Scene I — The dusk watch

T1. Liwë. Na-yi~yil nu' 'ima, xa c'ël, iwan na-woo 'i 'mëq=lha qu-lhuq.
Dusk. I keep watch alone, aloft at the mast, and the fog drifts hull-down out to seaward.

T2. Wa' në k'aw. Haana 'i lhaq=ki.
There is no wind. The sea lies glassy-calm.

T3. Na-tuk' nu' sa kanla në 'ima=lha, xa lhuq.
I spot a lone lantern, hull-down, out to seaward.

T4. Lha~lhalhik siya, na-woo — lhumli.
It glimmers, drifting — slow.

Scene II — The hail and the deck

T5. Na-qi'l nu': "Lhax=lha! Kanla qu-lhuq!"
I hailed down: "A sail, hull-down! A lantern, seaward!"

T6. Na-sut'ë-me hi Qw'iq', 'i mëlqu në op'.
Old Qw'iq' the navigator clambers up to me.

T7. Na-qhëwti siya xanu': "'Unu 'i tug-ën=mu, lhetl?"
He asks me: "What do you see, lad?"

T8. Na-k'ot'ë nu': "Lhax=lha — ka wa' në lhap."
I answer: "A ship, by the look of it — but no colors."

T9. "Wila 'i tin xa lhax='wa?" Na-k'ot'ë nu': "Ti' tug-ën=ku — wa'."
"How many aboard that ship?" I answer: "None I can see — none at all."

T10. Na-ca'me 'i xwa'm. 'Yana hi Qw'iq' qu-ta'an:
The captain comes up. Qw'iq' addresses her, with respect:

T11. "Q'waslhax='wa siya, xwa'm. Qw'edl-ën=ga=ta' siya?"
"A treasure-ship, they say, Captain. Will you take her?"

T12. Na-k'ot'ë 'i xwa'm: "Qw'edl-ën=tul siya. Muxw-k'aw=a, k'am — p'el!"
The captain answers: "We take her, all of us. Windward, lads — quick!"

Scene III — The chase

T13. Na-muxw-k'aw kitul. Qw'edl-ën 'i q'was='wa — ti' qw'etl'-ën hëq.
We stand to windward. The gold is being chased — not yet seized, not yet in hand.

T14. Atu~atuk 'i tin-tin sa 'mus, iwan na-muxw-k'aw-na na'm.
The crew haul on the ropes, and we (not you) run away to windward.

T15. Hëq! 'Inki 'i kanla=ki — pëq' =lha olu.
At last! Here is the lantern, hull-up now — hull-down no longer.

T16. "Këme=a! Qwët'ë-me=a 'i qakwëm, qu-tul!"
"Closer! Row the longboat over — leeward!"

T17. Na-loc' hi Tlët', 'i mu në tin; p'u~p'usec' siya.
Tlët', one of the crew, takes fright; he whispers and whispers.

Scene IV — Boarding

T18. Na-sut'ë kitul xa p'ip në xap', qu p'ëq në tlaq.
We clamber over the cold rail onto the empty deck — all of us.

T19. P'ëq 'i na-tuk'-an=tul në wa' në 'na.
The deck is the place where we found not a soul.

T20. K'i~k'i'lëq 'i q'an=ni; se 'i lhax — pëq' yëk' olu.
Her keel creaks and creaks; the ship lies still — nothing stirs.

T21. 'An 'i q'was=ki — hap'pë, iwan xap' qu 'yek'=ku.
There is the gold, hull-up — heavy, and cold to my hand.

T22. Iwan, xa p'ëq: la'ëq'.
And on the boards: bones.

Scene V — The turn

T23. Na-qaxwo hi Qw'iq': "'Inki 'i lhax sa xwa'm në na-lhuq-na suman."
Qw'iq' remembers: "This is the ship of a captain who put out to the deep, a season past."

T24. "Qoq'op'lhax siya," na-tl'et' siya. "Qëp'aq-q'was."
"A ghost-ship," he swears. "Cursed gold."

T25. "Pan qw'edl-ën=tul 'i qëp'aq-q'was, na-pot kitul."
"If we take cursed gold, we go down."

T26. Na-'yan hi Tlët': "Ti' qw'edl-ën=a! Qu-tin — olu!"
Tlët' cries: "Don't take it! Back to the haven!"

T27. K'u~k'ukwa 'i xwa'm. "Lhëk'=ga?" na-'yan siya.
The captain laughs and laughs. "True, is it?" she says.

Scene VI — The taking

T28. "Qëp'aq ka pëq'-qëp'aq, q'was 'i q'was."
"Curse or no curse — gold is gold."

T29. Na-qw'etl'-ën=tul 'i q'was=ki!
We seized the gold — in hand now, and I saw it done!

T30. Na-ci-qw'etl'-na=tul 'i qakwëm.
The longboat was what we carried it off in — across and away.

T31. Qw'ac-q'was, na-paha'-ën=tul; wa'-q'was, pëq'. Paha' qu xakitul.
Plundered gold we share, every soul aboard; earned gold we do not. A share for us all.

T32. Na-qw'etl'-ën=tul 'i su' në asët, iwan 'i qhin.
We took three chests — and the silver too.

T33. "Qw'edl-p'ëlh=a, k'am! Tlam-tin=a!"
"Take it and run home, lads! Away to landward!"

Scene VII — Away, and the telling

T34. Na-tla'm-tin kitul; na-kwën 'i qoq'op'lhax xa lho.
We ran for landward; the ghost-ship faded astern.

T35. Lha~lhalhik 'i kanla=lha, iwan tu'wa — na-kwën.
The lantern still glimmered, hull-down, then yonder over the rim — gone.

T36. Mumëë xa wëm; ti' 'yan-ën=tul 'i lhax='wa.
A hum on the breeze; we name that ship no more.

T37. Na-'mu kitul sa iiq, xa tin — qu siya.
In the haven we drank rum to her, all of us.

T38. "Q'was=ki, q'was 'i q'was. Q'was='wa, k'aw siya."
"Gold hull-up is gold; gold over the horizon is wind." — i.e. gold seen whole is gold; gold merely heard-of is wind.

T39. Tu'wa 'i 'yan sa kanla në 'ima. Hëq.
That is the tale of the Lone Lantern. So it ends.

Translation: হারানো হিয়ার নিকুঞ্জপথে

I’m obsessed with this Nazrul song. I’m at a loss on how to translate it.

হারানো হিয়ার নিকুঞ্জপথে
In the bower-path of a lost life

কুড়াই ঝরা ফুল একেলা আমি।
I collect fallen petals by myself.

তুমি কেন হায় আসিলে হেথায়
Why did you, alas, come here

সুখের স্বরগ হইতে নামি।।
Descending from a heaven of pleasure?

চারিপাশে মোর উড়িছে কেবল
On four sides of me, there only fly

শুকনো পাতা মলিন ফুল–দল,
Dry leaves, faded crowds of flowers

বৃথাই কেন হায় তব আঁখিজল ছিটাও অবিরল দিবস–যামী।।
Why, alas, do you ceaselessly sprinkle your tears in vain night and day?

এলে অবেলায় পথিক বেভুল
There came at this hour a traveller, heedlessly.

বিঁধিছে কাঁটা নাহি যবে ফুল,
Thorns prick where there are no flowers.

কি দিয়ে বরণ করি ও চরণ নিভিছে জীবন, জীবন–স্বামী।।
With what to welcome you and your feet into this extinguishing life, oh Swami of Life?

Translation: নহে নহে প্রিয় এ নয় আঁখি-জল

Nazrul Geeti.

No, no, my love, these are not tears you see.
Sleep, only sleep, has dimmed the kohl of my eyes.
At the pale break of night you watch the dew
lie on the lotus leaf, and you suppose
the flower has blossomed out of grief.
This is no more than a winter cloud
brushed by a false and treacherous mist,
an illusion risen wide awake.
No rain has come.
Why, poet? For nothing, nothing at all
did you make yourself the grit in every eye?
Setting out to bring another to tears,
you have wept, in the end, for yourself alone.

Orpheus: A networked functional layer

Whenever I try to explain how a piece of software works, I hit a library whose insides are off-limits. But to understand programming, looking at the libraries is sometimes the most important thing.

Let’s say you’re reading Martin Kleppmann’s Designing Data-Intensive Applications. It discusses B-trees and log-structured storage, Bloom filters, consistent hashing, snapshot isolation, vector clocks and CRDTs. What if you want to look at a database application where such features are implemented in a transparently visible library?

This is the kind of problem Orpheus is meant to solve. It runs on Ubuntu (and probably other distros). First install Rust and glibc. Open a graphical terminal and run:

git clone https://github.com/thoriumrobot/orpheus
cd orpheus
sudo chmod +x ./latte
(enter your root password when prompted)
./latte

Orpheus is a small but complete computing environment that lets you understand it all the way down, making it convenient to teach from.

Orpheus has a persistent state. All actions get written down as an event in an append-only log. To find the current state, you replay the log from the start, folding each event into the one before. Because the replay is deterministic, the same events always rebuild the same state.

This state can persist across machines. Each machine keeps its own copy of the log. They keep each other current over a network. A machine tells the others which events it has, asks for the ones it lacks, and passes along new ones as they happen. Every machine replays the events in one fixed order. Two machines that have seen the same set of events end up in exactly the same state regardless of the order those events arrived in.

Inside the environment, high level apps are written in a simple language resembling a functional fragment of Rust combined with Lisp. Expressions are like Lisp. E.g. (add 2 3) is 5. Underneath, there are only numbers and pairs, written [a b]. Everything else is made of pairs. A list is a chain of pairs that ends in a 0, so [1 2 3 0] has three elements. Every piece of a program is an expression that produces a value.

You write a function with fn. A definition is a name, the arguments in brackets, and the expression it returns:

sq = fn [x] -> (mul x x)

So (sq 3) is 9.

Libraries are lists of such definitions. You can select a function name and click the Def button on the top bar to display the function definition in the system log.

I plan to use this system to create a free course where every algorithm can be traced down to first principles.

I hope you think this is as cool as I do.

Translation: দূর দ্বীপবাসিনী

Nazrul Geeti.

Oh maiden from a far-off island, I know you, I know.
Stranger from the land of cinnamon, so sweet, soft-spoken.
On the calm Pacific sea,
through typhoon and the storm,
I heard your restless tune.
Do you play a wild flute of mountain cane?
The woods are washed all over in a spring-gold smile.
Deep in the coils of your hair
fresh cardamom blossoms sway,
oh flower-loving maiden.

Why Leftists Must Focus on Job Creation

An ex-member of Hindutva talks about his experience:

There is so much right-wing propaganda because right-wing propaganda outlets are hiring in massive numbers. The Indian right hires “IT cells”, which are exactly what they sound like.

Right-wing propaganda paints those crushed by the system as losers. The pressure generated by the system triggers the effects of Terror Management Theory, causing the masses to cling to their institutions. These institutions are in turn led by right-wing propagandists. The right buys off every community leader who attains popularity and silences any resistance they encounter. It’s a downward spiral.

As a STEM student, even I was offered multiple jobs in research and IT (not in propaganda) associated with right-wing organizations, which I declined. Leftists are currently not creating a comparable number of jobs programs associated with ideologically left-wing institutions. Until this changes, the world will keep looking the way it does right now. In order to change this, I propose Accountable Planning as the way forward:

https://snapshotsofthelabyrinth.photo.blog/2026/03/21/materialist-economics-part-3-accountable-planning/

Abstraction as Simulation

The external world and the human mind operate by the same physical laws. The functions of the brain like perceiving, reasoning and calculating are done as physical processes. Experiences inherit the mathematical describability of physics: to the extent that natural laws are formulated mathematically, the experiences shaped by the laws are the same. Experiences cannot differ without an underlying physical difference. The explanatory framework that applies to the rest of nature applies equally to the events inside a head.

Mathematical concepts are features of physical structure that have been isolated from surrounding details. This is clear for elementary mathematics and for logic, which can be understood as generalizations over physical regularities. These generalizations are reached by ignoring low-level features and keeping only the structural relations that recur across many systems.

Counting, ordering, equality, conjunction, and the rest do not require Platonic abstractions to be intelligible. They are patterns that physical systems instantiate, and that humans, as physical systems themselves, can detect and manipulate. Physical devices such as computers, abaci, and brains can manipulate mathematical concepts at all by arranging matter so that its dynamics mirrors the relevant pattern of relations. The result is a substructure within physics that is causally relevant at the scale of human experience.

As elementary mathematics is extracted from structural features of physical law, its fit to that law is a consequence of how the abstraction is constructed. Advanced mathematics such as group theory in particle physics and Riemannian geometry in general relativity were developed in greater generality than physics required. Physics, when it was formulated precisely, found among them the substructures that fit. In either case, the underlying mechanism is structural correspondence sustained by the selection and refinement of those structures that prove apt and the abandonment of those that do not.

Once abstraction is understood this way, the relationship between physics and higher-level structure becomes familiar. A physical computer can be arranged so that its low-level dynamics simulate Conway’s Game of Life, a two-dimensional cellular automaton whose rules are vastly simpler than those of the underlying transistors. Conversely, a Game of Life configuration can be made to simulate logic gates, a Turing machine, or even another instance of the Game of Life. Both directions of the relation reflect the substrate-independence of computation: the Game of Life is Turing-complete, and so is the general-purpose computer that runs it. Either can implement any computable function.

The abstraction at each level is causally efficacious at that level: gliders collide, signals propagate and computations terminate, regardless of what physical substrate ultimately implements them. This is what philosophers of mind call multiple realizability: the same higher-level structure can be realized by many distinct lower-level physical setups.

The same logic applies to experience. Experiential setups like counted objects are targets for mathematical analysis. This is no different in kind from arranging a computer to run the Game of Life. In both cases we are selecting a substructure of the physical world that supports a particular high-level description. The description is no less real for having been selected.

Edit: When I say the laws of nature are “mathematical”, I only mean they are regular and proportion-preserving. Human mathematical language emerges from low-level dynamics that doesn’t resemble it very closely. Here’s an example:

Translation: বলি, ও আমার গোলাপ-বালা

বলি, ও আমার গোলাপ-বালা, বলি, ও আমার গোলাপ-বালা —
I say, oh my rose girl, I say, oh my rose girl–

তোলো মুখানি, তোলো মুখানি–কুসুমকুঞ্জ করো আলা
Lift your head, lift your head–blossom, my dear.

বলি, কিসের শরম এত! সখী, কিসের শরম এত!
I say, why so shy! My dear, why so shy!

সখী, পাতার মাঝারে লুকায়ে মুখানি কিসের শরম এত।
My dear, hiding your face in leaves, why so shy?

বালা, ঘুমায়ে পড়েছে ধরা। সখী, ঘুমায় চন্দ্রতারা।
Girl, the world has fallen asleep. My dear, the moon and stars sleep.

প্রিয়ে, ঘুমায় দিক্‌বালারা সবে — ঘুমায় জগৎ যত।
Lover, the village girls are asleep– the whole world sleeps.

বলিতে মনের কথা, সখী, এমন সময় কোথা।
To speak your mind, my dear, what better time?

প্রিয়ে, তোলো মুখানি, আছে গো আমার প্রাণের কথা কত।
Lover, raise your head, I have so much to tell you.

আমি এমন সুধীর স্বরে, সখী, কহিব তোমার কানে —
I will, in a gentle voice, my dear, speak in your ear–

প্রিয়ে, স্বপনের মতো সে কথা আসিয়ে পশিবে তোমার প্রাণে।
Lover, like a dream, my words will touch your being.

তবে মুখানি তুলিয়ে চাও, সুধীরে মুখানি তুলিয়ে চাও।
So look up, gently look up.

সখী, একটি চুম্বন দাও– গোপনে একটি চুম্বন দাও॥
My dear, give me a kiss– secretly give me one kiss.

The Olympian Language

Update: Draft 2. Added sound changes. Added vocabulary.

Olympian is an Indo-European language spoken by the barbarian overlords who ruled Mount Olympus. From there, they launched raids that ravaged the surrounding countryside. Later ages deified them as gods. The name Zeus derives directly from the Olympian word ʒīw, meaning “god”.

Olympian is a genderless language with a default SOV word order. OSV word order is used to topicalize the object, and historical cases have decayed into clitics. The language is directly descended from the Titanic language Othryian.

In some ways, Olympian is a very archaic language. In other ways, it has been radically simplified.

Phonology

  • Stops: p, b, t, d, k, g
  • Fricatives: v, ð, ʒ, ɣ, h, ʁ
  • Nasals: m, n, ɲ
  • Liquid / glides: l, ʎ, w, y
  • Short oral vowels: i, a, u (e and o are rare, occurring almost exclusively in diphthongs or as nasals)
  • Long vowels: ī, ū, ē, ō
  • Nasal vowels: ĩ, ẽ, ã, õ, ũ
  • Front-rounded vowel: ü (< iu)
  • Diphthongs: ei, ou, au, ai, ia (including nasal variants)

Phonotactics and Stress

The maximum syllable structure is CCVCC, though syllables are typically smaller. Permitted onsets include stop+liquid (pʁ, bʁ, tʁ, vʁ), stop+glide (tw, dy, kw), and palatal sonorant clusters (ʎ, ɲw). Three-consonant onsets have been eliminated entirely. Codas allow for a single consonant, a glide+sibilant cluster (such as wʒ or yʒ), a nasal-vowel+obstruent, or a sonorant+obstruent.

The Ghost of the Sibilants: Historical sibilants underwent debuccalization and eventual deletion. When this occurred word-medially before a consonant, it triggered compensatory lengthening of the preceding vowel (e.g., *\*VsT* > *\*V:T*). However, when sibilants dropped word-initially before a stop (e.g., PIE *\*st-*), there was no preceding vowel to lengthen; instead, it resulted in bare fortis stops (t, p, k) that resist voicing assimilation in modern Olympian.

Prosody: Stress is fixed by weight on a four-tier scale: long vowel (4) > diphthong / nasal (3) > closed-short (2) > open-short (1). Ties resolve to the leftmost heavy syllable. Critically, a word-final closed-short syllable is demoted to light status. This stress system explains why every Othryian -u ending reduces and apocopates: the stress is pulled rightward to the heaviest non-final syllable, leaving the grammatical case suffix weak and vulnerable to erosion.

From Othryian to Olympian: the Ordered Sound Changes

The transition was rapid by historical standards, perhaps four or five generations, and the changes interacted in a strict feeding order. The most consequential are listed below in the order they applied.

  1. Initial /t/-drop. Word-initial /t-/ before a vowel deleted unconditionally (tiku > iku > ika “craftsman”; tealu > ealu > iaw “standing-stone”). The /tr-/ cluster was protected by its onset partner (triyi > tʁi “three”).
  2. Geminate simplification. /tt, dd, kk, pp, bb, gg/ collapsed to a single segment, but the resulting stop continued to behave as fortis under apocope (see §6).
  3. Prosody-conditioned vowel reduction. Stress was assigned by the four-tier weight system above. The final unstressed vowel reduced to schwa (/-ə/, or /-ə̃/ if originally nasal); medial unstressed long vowels and diphthongs centralised toward their first element.
  4. Palatalisation. Coronals and dorsals palatalised before an unreduced front vowel: t,k → tʃ; d,g → dʒ; θ,x → ʃ; ð,ɣ → ʒ. Before /i, ī/ specifically, n → ɲ and l → ʎ. Crucially, this rule fired after reduction, so a final /-i/ that had already become schwa did not trigger palatalisation. This is why iti “is” surfaces as ia (no palatalisation) while viriθi “carries” surfaces as viʁi (medial /θ/ before unreduced /i/ does palatalise).
  5. Deaffrication. tʃ → ʃ, dʒ → ʒ, applied iteratively until idempotent.
  6. Debuccalisation. All voiceless fricatives merged with /h/: f, θ, x, ʃ → h.
  7. Lenition I. Word-initial /h/ before a vowel dropped. Intervocalically: /h/ → ∅; /ð/ → ∅; /v/ → /w/; /y/ → ∅; /g/ → /y/ between front vowels, /w/ otherwise. Adjacent identical short vowels then contracted.
  8. Nasalisation. A vowel before a tautosyllabic /n, m/, whether word-final or pre-obstruent, absorbed the nasal: /Vn/ > /Ṽ/, /Vm/ > /Ṽ/.
  9. Apocope. The final schwa was resolved by context. After a sonorant (or nasal vowel) plus stop, both the stop and the schwa dropped (murt-ə > muʁ; liwk-ə > ʎiw). After /h/, both /h/ and the schwa dropped (/h/ is not a legal coda). After an obstruent, the schwa strengthened to /a/ (tikə > ika; viaʒə > viaʒa). After a sonorant alone, the schwa dropped (iru > iʁ; inu > in). In vowel-vowel hiatus, the schwa dropped unless the prior syllable was a bare short vowel (iə > ia; triə > tri).
  10. Final stop drop. A word-final /p, t, k, d/ deleted in monosyllabic stems (up > u, nut > nu, poud > pou) and after a homorganic nasal coda (unp > un). Stops were retained after a nasal vowel (pĩp “five”, ʒiãt “ten”) and within /-rd/, /-rt/ clusters (eiʁd “heart”).
  11. Uvularisation. All /r/ became /ʁ/.
  12. L-vocalisation. Coda /l/ before a consonant or word-finally became /w/; palatalised /ʎ/ was unaffected.
  13. Diphthong realignment. Stressed /ea/ raised to /ia/ (ealu > iaw; peati > piā). Stressed /iu/ in a final monosyllable became the front-rounded /ü/ (niu > ɲü); before a coda, /iu/ became /ia/ (wiur > wiaʁ).
  14. Lenition II. A second wave of intervocalic weakening reached newly exposed stops: p → b, t → ∅, k → ∅, b → w (iku > ika > ia via this rule, but the irregular form tiku > ika shows the morpheme boundary blocked the deletion).
  15. Hiatus smoothing. Where two oral vowels remained adjacent without a separating consonant, /y/ was inserted in front contexts and /w/ in back contexts (iūlu > iyūw; cf. the modern clitic boundary rule).

The interaction of stress assignment (3), apocope (9), and final stop drop (10) is responsible for the dramatic morphological shape of Olympian: nouns lose their case suffixes wholesale, while finite verbs in -θi retain the /-i/ as a vestigial finiteness marker (palatalisation+debuccalisation+Lenition I yields a regular /-Ci/ that survives the apocope.)

Nouns and Plurality

Nouns occur in a single invariant form. Historically, the Othryian Direct (nominative) -u was prosodically weak and reduced to a schwa, then either dropped completely (e.g., dīwu > ʒīw), strengthened to -a when its onset was an obstruent that needed support (e.g., tiku > ika, viaʒu > viaʒa), or fed irregular contractions (e.g., uni > ũa). The Objective (accusative) endings -un and -um nasalised into a final nasal vowel (e.g., umtun > ũã). The Possessive, Dative, Instrumental, and Vocative endings all reduced or dropped. Olympian speakers eventually reanalyzed these resulting variant surface endings as lexical accidents.

Number is unmarked on most nouns. When necessary, plurality is indicated by numerals, the quantifier muʁya (“many”, from Othryian muriyo), or the enclitic =a in a partitive construction (“of the _”). A fossilized plural -ou survives in a few archaic and ritual forms, such as dīwou (“the gods”), which is used in formal invocations.

Clitics and Case Markers

All five clitics are unstressed and bind phonologically to the preceding word. They participate in the host’s stress domain but do not themselves attract stress. Hiatus across the clitic boundary is resolved by a glide-epenthesis rule: inserting y after front vowels and w after back vowels. The clitic itself maintains a fixed surface form, similar to the Persian ezafe -e/-ye.

  • Genitive (=a): Derived from Othryian i (relative). Marks possessor, adnominal modifier, and compound head-marking.
  • Differential Object (=nã): Derived from Othryian an (definite marker). Marks specific direct objects, typically definite, human, or otherwise prominent referents, mirroring the Persian -rā and Hindi -ko systems. A bare object is non-specific or indefinite (ʒīw aũ “he sees a god / gods”) versus a marked definite object (ʒīw=nã aũ “he sees the god”). Applies to definite/animate direct objects only.
  • Instrumental / Comitative (=miu): Derived from Othryian me (“with”). Indicates instrument, means, or accompaniment.
  • Locative / Dative (=ẽ): Derived from Othryian en (“in”). Indicates location, goal, or indirect object.
  • Ablative / Source (=aw): Derived from Othryian au (“from”). Indicates source, origin, partitive, or “than”.

Examples:

  • uʁeiʒ=a eiʁd (king=GEN heart) “the king’s heart”
  • ũa=miu ʒweiʁ vĩ (sword=INS wild.beast strike-3SG) “with a sword he strikes the wild beast”
  • ðeʒã=aw piawʁ oua (earth=ABL fire rises=swift) “from the earth fire rises swiftly”

Pronouns

Form 1st Sg. 2nd Sg. 1st Pl. Proximal (PROX) Distal (DIST)
Direct (DIR) iʒou tū wiy i u
Objective (OBJ) mei twei nou ĩ ũ
Possessive (POSS) miɲ iw uya (Uses =a clitic) (Uses =a clitic)

The proximal i (from Othryian i, from Ouranian še) is a demonstrative, relativizer, and the source of the genitive clitic =a. The distal u (from Othryian u, from Ouranian so) is grammaticalizing toward a definite article in formal narrative contexts: u uʁeiʒ “the king (we were speaking of)”.

Olympian requires overt subject pronouns in most contexts. This is the direct structural consequence of verbal syncretism. Because a single present ending -i covers the 2sg, 3sg, and 2pl forms, recovering person from context alone became unreliable. Therefore, pronouns placed directly in front of the verb carry the necessary grammatical weight.

Verbs

Othryian iθi (3sg, and 2pl) and -ī (2sg) both yielded Olympian -i after undergoing palatalization, deaffrication, and apocope. The response, mirroring the evolution of French and Middle English, was to promote subject pronouns to an obligatory status.

Modern Olympian Conjugation: viʁi- “carry”

Person Present Past
1st Sg. viʁou viʁã
2nd Sg. viʁi viʁ
3rd Sg. viʁi viʁt
1st Pl. viʁum viʁã=wiy (Periphrastic)
2nd Pl. viʁi viʁã=tū-wiy (Periphrastic)
3rd Pl. viʁũ viʁũt

Because the present 2sg, 3sg, and 2pl are identical (viʁi), they must be disambiguated by the subject pronoun: tū viʁi “you (sg) carry”, u viʁi “he/she carries”, tū-wiy viʁi “you (pl) carry” (using the innovative plural-marking clitic -wiy). The “finite marker” -i has effectively been reanalyzed as a general present-tense inflection. Similarly, -t (from the old 3sg past -it) has generalized as a past-tense marker carried by most persons.

The Periphrastic Plural Past: The historical 1st and 2nd person plural past forms were lost during the apocope shift. To fill this gap, modern speakers developed a periphrastic construction fusing the active participle with the plural enclitic. Thus, “we carried” is rendered as viʁã=wiy (literally “carrying-we”) and “you all carried” as viʁã=tū-wiy.

Historical Etymology

Person Othryian Ancestor PIE Ancestor
1st Sg. virou / virun *-ō / *-om
2nd Sg. virī / viri *-esi / *-es
3rd Sg. viriθi / virit *-eti / *-et
1st Pl. virumu *-omos
2nd Pl. viriθi *-ete
3rd Pl. virunti / virunt *-onti / *-ont

Imperative: The 2sg is the bare stem: viʁ! “carry!”, vĩ! “strike!” (< vin-), ʒnou! “know!”. The 3sg imperative survives strictly in archaic ritual commands: viʁü! “let him carry!” (< Othryian viriθu, with iu monophthongizing to ü).

Participles: The active participle is -ã (< Othryian -unt), producing forms like viʁã “carrying, one who carries”. The passive participle is a zero-morph -ø (< Othryian -tu), producing forms like viʁ “carried, borne”, which is homophonous with the 2sg past.

Syntax

SOV word order is required in neutral discourse: wiy ʒweiʁ=nã vĩum (1PL beast=DOM strike-1PL) “we strike the beast”. OSV is employed to topicalize the object.

The noun phrase is strictly head-final. Modifiers precede the head: adjective + noun (muʁ wīʁ “dead hero”), numeral + noun (tʁi ʒweiʁ “three beasts”), and genitive + head via clitic (uʁeiʒ=a eiʁd “king’s heart”). A demonstrative + noun uses the distal u in a weak-article role: u uʁeiʒ “the (aforementioned) king”.

  • miɲ pueiʁ=a ũa tū=nã vĩ (1SG.POSS father=GEN sword 2SG=DOM strike-3SG) “my father’s sword strikes you”

Relative clauses are head-final, using i as the relativizer. The relative clause precedes its head noun: [i vĩ] wīʁ “the hero who strikes”, translating literally to “[who strikes] hero”. This structure mirrors the Persian pattern ([ke mizanad] pahlavān).

Yes/no questions are formed by sentence-final rising intonation with no overt marker. Content questions use interrogative pronouns (kwa “who?”; kwi “what?”) in situ, fronted only for emphasis.

The negative particle ɲi (< Othryian ne < PIE *ne, palatalized before the front vowel) precedes the finite verb: u ɲi vĩ “he does not strike”. Clause-initial ɲi delivered with emphatic stress expresses absolute denial: ɲi! kwa ʒnou “No! Who knows?”.

Sample Text

nu=a ɲiw=a ueiʁ,
“Star of the night, of the cloud-sky,”

uʁeiʒ=a uyha ia.
“the king’s oath stands firm.”

ʎiw unmuʁ ia, ʒīw ia.
“glory is immortal, the sacred endures.”

Olympian Lexicon (Alphabetized by Category)

Note on Semantic Shifts: As the Olympians established their rule, older terminology shifted to reflect administrative and theological concepts. For example, ʁiw (raw flesh) became a derogatory term for mortal subjects; uʁyun (war-chief) shifted to mean a sovereign judge; and ʒeimã (custom) formalized into the concept of divine law. Conversely, words like u (life-force) adopted connotations aligned with entropic decay.

Sacred and Ritual

Meaning Othryian Olympian
alive/living bīwu bīw
blood iaur iauʁ
breath/spirit unimu uɲim
burning/fuel iyðu iyða
custom / divine law ðeimun ʒeimã
earthling/mortal dʒimoun ʒimoũ
fame/glory liwu ʎiw
fire / administrative hearth peawur piawʁ
god dīwu ʒīw
god/divine ðei ʒei
holy/strong uwdu uw
immortal unmurtu unmuʁ
imperishable undviθun ũdviũ
king ureiʒ uʁeiʒ
life-force / entropic decay uyu u
mind/fury minu min
oath uyθu uyha
pours/libates ʒiwθi ʒiw
race/kin ʒinu ʒin
smoke/incense ðiwu ʒiw
song/chant inu in
speech/fame veamea viam
word/voice wifu wü

Sky and Time

Meaning Othryian Olympian
dawn uwou uwou
day diynu ʒiyn
evening wipiru wibiʁ
moon/month meiun meiã
night nut nu
sky god dyeiw ʒyeiw
solar iūlu iyūw
star uteir ueiʁ
sun ouwul ouw
wind weiuntu weiũ
winter ʒiyoun ʒioũ
year/season yeiur yeiʁ

Nature and Animals

Meaning Othryian Olympian
barley ulvit uwvat
beach veaʒu viaʒa
bear aurtu auʁ
cloud/sky nivu ɲiw
cow bouw bouw
dog wou wou
earth ðiʒoun ʒiʒoũ
field uʒru uʒʁ
fish pīu pī
grain ʒurunun ʒuʁunã
horse iwu iwa
mouse mū mū
pig/sow ū ū
sea/marsh muri muʁ
sheep uwi uw
snow nīp ɲī
tree/wood duru duʁ
water (f.) ufea uyia
water (n.) wudur wuʁ
wolf wulpu wuw
woman/wife binea binia
dragon wurmi wuʁm

Kinship

Meaning Othryian Olympian
brother vreaθeir vʁiāʁ
daughter ðuguθeir ðuwueiʁ
daughter-in-law nū nua
father puθeir pueiʁ
friend/dear prīu pʁī
grandfather uwu uw
husband/lord puθi pu
mother meaθeir miāʁ
nephew/grandson nifout ɲiout
sister wiour wiouʁ
son ūnu ūn
widow iwiðiwu iwiʒiw

Body and Self

Meaning Othryian Olympian
arm veaʒu viaʒa
bone uti ua
ear ouw ouw
eye up u
foot poud pou
hand ʒiur ʒiaʁ
heart eird eiʁd
knee ʒunu ʒun
liver yifur yiʁ
man uneir uneiʁ
nail/claw unup un
name inumun inumã
nose nea nia
tongue dunʒwea dũʒwea
tooth udunt uã

Verbs

Meaning Othryian Olympian
asks prīθi pʁī
becomes/grows vūθi vū
binds vinðiθi vĩʒi
carries viriθi viʁi
comes bimiθi bimi
conveys wiʒiθi wiʒi
dares/is bold ðiriθi ʒiʁi
drinks pouθi pou
drives uʒiθi uʒi
eats itti i
feeds/guards peati piā
follows īθi ī
gazes/beholds diriθi ʒiʁi
gives douθi dou
hears liwiθi ʎiwi
holds/has iʒiθi iʒi
increases uwdʒiθi uwʒi
is iti ia
knows ʒnouθi ʒnou
lies (down) liʒiθi ʎiʒi
lives bīwiθi bīwi
pierces/impales bilti biw
places ðeiθi ʒei
praises birti biʁ
sees wītti wī
sits (in judgment) idiθi iʒi
sleeps wifiθi wi
sows eiθi ei
stands teaθi ia
strides tīʒiθi īʒi
strikes/slays vinti vĩ
thinks minti mĩ
thunders tinuθi inu
watches pīθi pī
weaves wiviθi wiwi

Adjectives

Meaning Othryian Olympian
black/dark urnu uʁna
bright/light liwku ʎiw
bright/white viriʒu viʁiʒa
dead murtu muʁ
deep/dark ðiwbu ʒiw
dry tiru iʁ
fitted/proper iru iʁ
free iliwðiru iʎiwʒiʁ
full pulinu puʎin
great/mighty migea miyia
high virʒu viʁʒa
light (weight) ilinvru iʎĩvʁa
long dulɣu duwɣa
middle miðyu miʒya
naked nubu nuwa
new niwu ɲiw
old inu in
pure/cleansed piwunu piwun
raw/bloody oumu oum
red iruðu iʁu
right (side) dīnu ʒīn
sharp/keen uru uʁa
sweet weadu wiada
swift oū oua
true/sworn weiru weiʁ
unconquered eaviθu iaw
warm/heat vuru vuʁ
yellow/green ʒilunu ʒilun

Numbers

Meaning Othryian Olympian
one uynu uyn
two dwou dwou
three triyi tʁi
four pitwuri pitwuʁ
five pinpi pĩp
six wi wi
seven iptun iptã
eight utouw utouw
nine iniwun iɲiwã
ten diumt ʒiãt
hundred umtun ũã

Things and Culture

Meaning Othryian Olympian
axle u u
door ðwir ðwiʁ
egg uwyun uwyã
gift dounun dounã
house dumu dum
mead miðu mü
path/way piθumu püm
plow urutrun uʁutʁã
salt eal iaw
silver/shining urʒuntun uʁʒũã
spring (season) wiur wiaʁ
stone umou umou
wheel piplu pipla
yoke yugun yuã

Sword and Sorcery / Expanded Lexicon

Meaning Othryian Olympian
arrow iū iyū
birth/clan ʒiniθi ʒiɲia
cattle/wealth piu pi
craftsman/smith tiku ika
darkness/gloom iribu iʁiw
fortress uru uʁa
gold uwun uwã
hero/man wīru wīʁ
horn urunun uʁunã
incantation wipti wipa
javelin/spit biru biʁ
metal/bronze uyu u
orphan/bereaved urvu uʁva
people/tribe tiuθea ü
raw flesh / mortal subjects riwu ʁiw
serpent uvi uw
shield pilun pilã
ship/boat niu ɲü
snake unvi ũva
spear ʒeiu ʒeia
standing-stone tealu iaw
stranger/enemy ɣuti ɣua
sword uni ũa
war-chief / sovereign judge uryunu uʁyun
war-host uri uʁ
war-levy leawu liaw
wild beast ʒweir ʒweiʁ

Translation: হে মাধবী

হে মাধবী, দ্বিধা কেন, আসিবে কি ফিরিবে কি–
Oh honey vine, why are you anxious? Will he come, will he go—

আঙিনাতে বাহিরিতে মন কেন গেল ঠেকি॥
In the courtyard, outside the home, the mind stays fixed.

বাতাসে লুকায়ে থেকে কে যে তোরে গেছে ডেকে,
Hidden in the wind, who has called you?

পাতায় পাতায় তোরে পত্র সে যে গেছে লেখি॥
In every leaf, he has written you letters.

কখন্‌ দখিন হতে কে দিল দুয়ার ঠেলি,
Who knows when, from the west, he has pushed open the door.

চমকি উঠিল জাগি চামেলি নয়ন মেলি।
Startled awake, the lily opens her eyes

বকুল পেয়েছে ছাড়া, করবী দিয়েছে সাড়া,
The medlar was released, the oleander calls,

শিরীষ শিহরি উঠে দূর হতে কারে দেখি॥
Seeing whom does the rain tree shiver?

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